{"id":6199,"date":"2010-09-20T09:57:37","date_gmt":"2010-09-20T16:57:37","guid":{"rendered":"http:\/\/emilychang.com\/?p=6199"},"modified":"2010-09-19T22:58:21","modified_gmt":"2010-09-20T05:58:21","slug":"trespass-a-history-of-uncommissioned-urban-art","status":"publish","type":"post","link":"https:\/\/emilychang.com\/blog\/2010\/09\/trespass-a-history-of-uncommissioned-urban-art\/","title":{"rendered":"Trespass: a History of Uncommissioned Urban Art"},"content":{"rendered":"<p><a class=\"lightbox\" title=\"tresspass\" href=\"http:\/\/emilychang.com\/blog\/wp-content\/uploads\/2010\/09\/tresspass.png\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-6201\" title=\"tresspass\" src=\"http:\/\/emilychang.com\/blog\/wp-content\/uploads\/2010\/09\/tresspass.png\" alt=\"\" width=\"550\" height=\"541\" srcset=\"https:\/\/emilychang.com\/blog\/wp-content\/uploads\/2010\/09\/tresspass.png 550w, https:\/\/emilychang.com\/blog\/wp-content\/uploads\/2010\/09\/tresspass-255x250.png 255w\" sizes=\"auto, (max-width: 550px) 100vw, 550px\" \/><\/a><\/p>\n<p><a href=\"http:\/\/www.taschen.com\/pages\/en\/catalogue\/art\/all\/05719\/facts.trespass_a_history_of_uncommissioned_urban_art.htm\">Trespass. A History of Uncommissioned Urban Art<\/a> is a new 320-page Taschen book by Carlo McCormick (pop culture critic, curator and Senior Editor of<em> Paper <\/em>magazine), Marc and Sara Schiller (founders of the Wooster Collective), Ethel Seno (editor).<\/p>\n<blockquote><p>In recent years street art has grown bolder, more ornate, more sophisticated and\u2014in many cases\u2014more acceptable. Yet unsanctioned public art remains the problem child of cultural expression, the last outlaw of visual disciplines. It has also become a global phenomenon of the 21st century.<\/p>\n<p>Made\u00a0<strong>in collaboration with featured artists,\u00a0<em>Trespass<\/em> examines the rise and global reach of graffiti and urban art<\/strong>, tracing key figures, events and movements of self-expression in the city&#8217;s social space, and the history of urban reclamation, protest, and illicit performance. The first book to present the full historical sweep, global reach and technical developments of the street art movement,\u00a0<em>Trespass <\/em>features\u00a0<strong>key works by 150 artists<\/strong>,<em> <\/em>and connects four generations of visionary outlaws including\u00a0<strong>Jean<\/strong><strong> Tinguely<\/strong><strong>, <\/strong><strong>Spencer Tunick,<\/strong> <strong>Keith Haring, <\/strong><strong>Os Gemeos<\/strong><strong>,<\/strong> <strong>Jenny Holzer<\/strong><strong>,<\/strong> <strong>Barry McGee<\/strong><strong>,<\/strong> <strong>Gordon Matta-Clark, Shepard Fairey, Blu, Billboard Liberation Front<\/strong><strong>,<\/strong> <strong>Guerrilla Girls<\/strong><strong> <\/strong>and<strong> <\/strong><strong>Banksy<\/strong>, among others. It also includes dozens of previously unpublished photographs of long-lost works and legendary, ephemeral urban artworks.<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>Trespass. A History of Uncommissioned Urban Art is a new 320-page Taschen book by Carlo McCormick (pop culture critic, curator and Senior Editor of Paper magazine), Marc and Sara Schiller (founders of the Wooster Collective), Ethel Seno (editor). In recent years street art has grown bolder, more ornate, more sophisticated and\u2014in many cases\u2014more acceptable. Yet&hellip;<\/p>\n","protected":false},"author":1,"featured_media":6201,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[89],"tags":[947,363,556,295],"class_list":["post-6199","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bookmarks","tag-book","tag-graffiti","tag-streetart","tag-urban"],"acf":[],"_links":{"self":[{"href":"https:\/\/emilychang.com\/blog\/wp-json\/wp\/v2\/posts\/6199","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/emilychang.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/emilychang.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/emilychang.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/emilychang.com\/blog\/wp-json\/wp\/v2\/comments?post=6199"}],"version-history":[{"count":0,"href":"https:\/\/emilychang.com\/blog\/wp-json\/wp\/v2\/posts\/6199\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/emilychang.com\/blog\/wp-json\/wp\/v2\/media\/6201"}],"wp:attachment":[{"href":"https:\/\/emilychang.com\/blog\/wp-json\/wp\/v2\/media?parent=6199"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/emilychang.com\/blog\/wp-json\/wp\/v2\/categories?post=6199"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/emilychang.com\/blog\/wp-json\/wp\/v2\/tags?post=6199"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}